Smar Jbeil – St Nohra’s church

جبل الرحمة الالهية, Ghosta, Lebanon

Name in arabic:  دير المخلص الكريم

City:  Ghosta

District:  Keserwan

Governorate:  Mount Lebanon

History: 

دير المخلص الكريم - غوسطا

سنة ١٧٠٨ وصل ثلاثة رهبان أرمن إلى لبنان لتأسيس رهبانيّة أرمنيّة، فأوقف لهم الشّيخ صخر الخازن، أراضًا في وادي غوسطا سنة ١٧١٦. فأنشىء الرهبان إكليريكيّة وامتدّ بناء الدير والكنيسة إلى سنة ١٧٣٣. سنة ١٨٦٥ اشترى الخوري يوحنّا حبيب (المطران لاحقًا)، الدّير من الرّهبان الأرمن حيث انتقل هؤلاء إلى بزمّار، وأسّس جمعيّة المرسلين اللّبنانيّين في الدّير مع العديد من الكهنة وفي مقدَّمهم الخوري إسطفان قزاح، الرّئيس العام الأوّل. إهتمّ الكريميوّن ووسّعوه.. وقد كان هذا الدّير ملجأً للعديد من المهجّرين والمشرّدين والجياع والهاربين من ظلم السّلطات العثمانيّة. خضع البناء لعدّة عمليّات ترميم كان آخرها سنة ٢٠١٣. كان الدّير مركزًا للرّئاسة العامّة للجمعية حتّى العام ١٩٢١، وهو حاليًّا ديراً للابتداء، توجد فيه كنيسة المُخلّص وتحوي لوحةً زيتيّةً قديمة،، تدعى "الثّالوث المتألّم"، ولوحة أخرى أرمنيّة للميلاد. وفي الكنيسة أيضًا مدافن عائدة إلى كلّ من المطران يوحنّا الحبيب مؤسّس الجمعيّة، والخوري اسطفان قزاح رئيسها العام الأوّل، والمطران شكرالله خوري، .

The Holy Savior Monastery - Kreim Ghosta

The monastery was established in 1708 by three Armenian monks who arrived in Lebanon with the intention of creating an Armenian monastic order. Located in Wadi Ghosta, Lebanon, the monastery's history is intertwined with various events and figures over the centuries. In 1716, Sheikh Sakhr al-Khazen granted the Armenian monks lands in Wadi Ghosta, enabling them to establish their monastic order. The construction of the monastery and church complex took several decades, finally extending until 1733. It served as a seminary, providing education and spiritual guidance to the community. Fast forward to 1865, and the ownership of the monastery changed hands. Father John Habib, who later became a Bishop, purchased the monastery from the Armenian monks. With this transaction, the Armenian monks relocated to Bzommar, and Father John Habib initiated the Lebanese Missionaries Congregation within the monastery. Many priests were part of this association, and Father Stephen Qazah became its first superior general. Throughout its history, the Holy Savior Monastery played a crucial role in the local community. It served as a refuge for the displaced, homeless, hungry, and those seeking refuge from the oppression of the Ottoman authorities. The monastery experienced several periods of restoration to preserve its historical significance and structural integrity. The last restoration took place in 2013, ensuring that the monastery continued to stand as a testament to its enduring history and cultural importance. The Holy Savior Monastery, historically serving as the center of the general presidency of the association until 1921, has evolved into a monastery dedicated to novices in the present day. Nestled within its walls is the sacred Church of the Savior, housing cherished relics from the past. One of the notable treasures preserved within the church is an ancient oil painting named "The Suffering Trinity." This artwork carries profound emotional depth and holds a place of reverence within the community, reminding all who behold it of the timeless spiritual journey. Adding to the artistic splendor, another precious possession within the church is an Armenian painting depicting the Nativity. This painting enriches the spiritual ambiance of the sanctuary, reflecting the shared heritage and faith of those who seek solace and inspiration within its halls. Moreover, the church stands as a memorial to the esteemed figures who have shaped the legacy of the monastery and the association it represents. The burials of Bishop Youhanna Al-Habib, the visionary founder of the Lebanese Missionaries Association, Father Estephan Qazzah, the dedicated first general president, and Bishop Shukrallah Khoury, a revered spiritual leader, grace the church grounds. As the monastery continues to embrace novices and nurture their spiritual growth, it remains an enduring symbol of devotion, compassion, and hope. The presence of these sacred artifacts and burials serves as a constant reminder of the monastery's illustrious past and the profound impact it has had on the lives of those who seek solace and enlightenment within its sanctuary.

saint joseph -church, Wata El Jaouz, Lebanon

Name in arabic:  كنيسة مار يوسف

City:  Ouata El-Jaouz

District:  Keserwan

Governorate:  Mount Lebanon

History: 

كنيسة مار يوسف - وطى الجوز
بنيت الكنيسة سنة ١٩١٧ فوق كنيسةٍ أقدم عهدًا. رمّمت وأخذت شكلها الحاليّ سنة ١٩٧٥. لوحة مار يوسف من عمل كنعان ديب الدلبتاوي تعود لسنة ١٨٦٨. تتميّز الكنيسة بقبّة حجريّة بشكل طابيّة كاهن يعلوها صليب.

The church of St Joseph - Wata el Jawz
The church was built in 1917 over an older church, and took its final form in the restoration of 1975. The painting of St Joseph is made by Kanaan Dib in 1868. The bell tower is topped by a sculpture of a Tabye, the traditional maronite priestly hat, with a cross over it.

Monastery of the Annunciation, Unnamed Road, Lebanon

Name in arabic:  دير سيّدة البشارة الخازن لراهبات الزيارة

City:  Zouk Mkayel

District:  Keserwan

Governorate:  Mount Lebanon

History: 

دير سيّدة البشارة الخازن لراهبات الزيارة - زوق مكايل

سنة ١٨٢٥ بعد وفاة الشيخ بشارة جفال الخازن، كرَّس البطريرك يوسف حبيش حارته ديراً على اسم سيّدة البشارة. كان الدير أوّلاً خاصًا ببنات عائلة الخازن، اللواتي نظمن حياتهنّ بحسب قانون مار فرنسيس السالسيّ لراهبات الزيارة. مع مرور الزمن أصبح الدير يستقبل كافة البنات اللواتي يُردن اعتناق الحياة الديريّة التأمليّة المحصنة. وراهبات الزيارة ما زلن يحافظن على نمط حياةٍ تقليديّ بحسب قانونهنّ. كنيسة الدّير مسقوفة، تتميَز بخوروس الراهبات الموجود آخر الكنيسة وهو أعلى من مستواها، خلف مكان جلوس العوام، يعلوه متخّتين للراهبات العجائز.

The monastery of the Annunciation Khazen for the Visitandine nuns - Zouk Mikael

In 1825 after Sheikh Bchara Jaffal el Khazen passed away, Patriarch Youssef Hbeich converted his estate into a nunnery dedicated to our Lady of the Annunciation. The nuns where essentially from the Khazen family and adopted the rule of St Francis of Sales for the visitandine sisters while remaining maronites. With time the monastery began to accept girls from outside of the Khazen family who wanted a strict observance and a contemplative way of life that is still practiced today. The chapel of the monastery is roofed, it is distinguishable by it’s nuns choir at the end of the church, and three mezzanines used by older nuns to participate in the liturgy.